Fascination with wood objects began for me around age six.
Life was a game of found objects and odd tools, forever trying to fit pieces
Later, during the winter of 1963, the turned and fluted legs
of an heirloom chair which had been in my family for three generations got
my attention. I couldn’t figure out how they had been made round.
Over the course of the next year at the age of thirteen I
pondered the engineering mystery of symmetrical wood forms. Never having
seen a lathe I began to realize that if the wood could spin it could be cut
into a round form. I scavenged the basic components for a lathe and using
my pocket knife spent the rest of that winter making miniatures - goblets,
light bulbs, marbles - anything rounded.
The open vessel form now expresses the aesthetic of my body
of work. These forms are grouped in two parts. One is ‘segmented’ and
the other is ‘organica’. All are lathe-turned vessels. The segmented
vessels are made of hundreds or thousands of slender precisely cut mostly
exotic hardwoods which form intense and intricate patterns. No paints, pigments
or stains of any kind are used, except in the maple bowls where the glue
is tinted red. Otherwise, all colors are the natural color of the species.
A large segmented bowl may consist of as many as 5,000 segments of wood and
the smaller bowls up to 2,000 segments.
The organica are vessels formed from natural objects such
as pinecones, blossoms such as protea or banksia, thistles, artichokes and
other vegetative forms. The vessel is created through a subtractive process
involving resin impregnation and the lathe to reveal a beauty within the
form usually hidden from view.
The effort behind these two bodies of work is to simply create
imagery that is gesturing to the beautiful and thereby nourishing to the
human spirit. Modern artistic figure skating expresses intense efforts by
the performers to free themselves from the bounds of everyday motion, to
spin ethereally through the air, forever straining against gravity, an illustration
of the spirit straining against the limitations of the body. The imagery
within the segmented bowls seem to capture that same tension with their intricate
designs reflecting the artistic spirit straining for release.
Mike lives in Santa Cruz, California.